Almost everyone has heard of Bruce Lee, the Kung Fu master from the 1970s Hong Kong cinema scene with the “Fists of Fury” and the almost-comically-bad voice dubbing. But have you ever heard of Ip Man, the man who taught Lee how to fight?
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Born in 1893, Ip Man became one of the foremost practitioners of the Wing Chun Kung Fu style associated with his region of China. The style was characterized by a certain off-to-one-side stance adopted by the fighter, which seeks to avoid direct confrontation. The movements are fluid, and could best be described as looking like the character of Neo in the “Matrix” trilogy when he takes on Agent Smith and his sunglassed minions.
In fact, it is probably no coincidence that the same martial artist who consulted on “The Matrix” movies, Yuen Woo-Ping, also choreographed the third in the trilogy of films about Ip Man by the producer Raymond Wong.
The style of Wing Chun practiced by Ip Man appears at times almost to defy gravity and makes the practitioner of it appear so self-composed that they barely seem to even break a sweat.
In fact, it is probably no coincidence that the same martial artist who consulted on The Matrix movies, Yuen Woo-Ping, also choreographed the third in the trilogy of films about Ip Man by the producer Raymond Wong. The style of Wing Chun practiced by Ip Man appears at times almost to defy gravity and makes the practitioner of it appear so self-composed that they barely seem to even break a sweat.
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In his early life in Foshan, both before and after the Second Sino-Japanese War (“Sino” simply refers to “China”), Ip worked as a policeman. However, during the war itself (which began in 1937 following Japan’s invasion of the Chinese mainland and lasted until 1945), Ip Man went to live with a former student, Kwok Fu, resisting the Japanese as best he could.
After that war ended, the Chinese Civil War and Communist Party takeover of China followed hard on its heels. During the Civil War, Ip fought on the side of the Kuomintang (the Nationalist party opposing the Communist party). When the CCP finally won in 1949, Ip fled to Hong Kong, where he found many disciples who wished to learn his style.
Among these disciples was one Lee jun-fan, a 16-year-old young man who had been born in Chinatown, San Francisco. At that time, Lee was living with his parents in Hong Kong, had recently lost some fights with members of a rival gang, and was perhaps looking for revenge. Much like the Mr. Miyagi/Daniel-San relationship in the film The Karate Kid, the boy would learn quickly from the master, ultimately going on to overshadow his fame. This young man was named Bruce Lee.
“After four years of hard training in the art of Gung Fu (Kung Fu), I began to understand and felt the principle of gentleness – the art of neutralizing the effect of the opponent’s effort and minimizing expenditure of one’s energy. All this must be done in calmness and without striving. It sounded simple, but in actual application it was difficult. The moment I engaged in combat with an opponent, my mind was completely perturbed and unstable. Especially after a series of exchanging blows and kicks, all my theory of gentleness was gone. My only thought left was somehow or another I must beat him and win.” – Bruce Lee, Black Belt Magazine
Today, Grandmaster Ip’s reputation has been resurrected with the aforementioned trilogy of Hong Kong-based Ip Man films, as well as the 2013 film “The Grandmaster” by famous Chinese director Wong Kar-Wai.
Ip Man died of throat cancer in December of 1972, preceding his more famous and much younger student, Bruce Lee, in death by only seven months. Lee was only 32 when he died while finishing work on his final film, “Enter the Dragon”. But their legacy lives on. Together, Master and student are forever linked in Kung Fu immortality.
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